Come what may

From the film "Moulin Rouge", this is an epic piece. It builds from a very quiet and exposed opening, with the tenors and basses taking the whole of the first verse and chorus, but then it builds and builds - the finale has everything except the kitchen sink! There's the option to have two soloists in the final section too - female with a belt to C5, male strong to G4. The piece works without soloists if necessary, but they do add a nice extra touch if you have them.